Technorati Profile May « 2009 « Minor League Rocker
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Archive for May, 2009

Good-bye, New Friends

Saturday, May 30th, 2009

Before I get to today’s story – see that button over on the right side of the page? The one that says “Subscribe”? You should hit it. Really, it’s good!

About a month ago, I answered a Craigslist posting for some recording students that were seeking a band. The first of them, Cher, practiced her live recording techniques on us at the Conservatory of Recording Arts & Sciences. It was our first time at the Gilbert campus, and it was incredible – beautiful building, great gear. Everything on the live sound stage put to shame all the stuff we’ve played through at every single local venue. Seriously, they should think about getting touring acts!

Joe, the guy running the monitors that night, had us back a few weeks later for his 10th-cycle recording project. We

Joe and Manny work on Chris' kits.

Joe and Manny work on Chris' kits.

knocked off four songs, which was probably two too many, between 7 p.m. and 2 a.m. It was a blast – Joe and his crew knew their stuff, and the gear was again incredible.

That night, we got to know Joe and his classmates well – I can only remember Manny’s name, for some reason – but there was another I’ll call Angry Dragon (no reflection on his demeanor – he’s, in fact, hysterically funny).

Unfortunately, they’re all graduating from the conservatory this week and will be off to Nashville. Cher will also be done in a few weeks.

It’s too bad there’s not enough of a recording scene here to keep some of these people around. I definitely enjoyed seeing them at work and getting to know them.

Cher, Joe, Manny, Angry Dragon – good luck to you all!

Hung Dynasty – Adjuct Faculty and Members Emeritus

Thursday, May 28th, 2009

Hung Dynasty now comprises Chris, Todd, Matt and myself. But some other rather excellent people have contributed to our cause to rock the hell out of a small slice of Arizona. Here’s a little bit about each of them:

Phung the Drum Ninja

Our original drummer. He joined us from a Craigslist ad (see, all you crazy

Live at the Marquee Theater

Live at the Marquee Theater

people hating on Craigslist? Good things come from it, too!). He was really more of a classic rock guy, but he still enjoyed his time with us. And he had a terrific time playing some high-profile gigs.

He left us to go to medical school, and he continues his martial arts studies at the top-secret Center for the Ninja Arts and Sciences. Whoops. I shouldn’t have said that – I don’t hear any ninjas sneaking up on me for spilling the beans, and that’s what worries me.

Stacebass Rockin’ the Place

Live at the Marquee (Photo by Jeremy Cook)

Live at the Marquee (Photo by Jeremy Cook)

I mentioned Stace (as we usually call her) in a previous post. She’s a longtime friend of Todd and me, and a super-capable musician. Though she’s more of a showtunes/Belle and Sebastian sort, she still joined us in our hour of need – and wound up having some terrific times with us.

The gay pool party, the Naughty Schoolgirl Night, being hammered drunk at her final show while singing a cover of The Donnas’ “Take it Off” – none of this would’ve been the same without her. Not only was she fun, but she had awesome music theory knowledge and some cool music ideas. And she’s funny and sarcastic.

“My friend, Lurch, likes your sexy music”

Laura succeeded Stace on the bass. She has an awesome voice, and always showed up to gigs ready to play. She also has an excellent metal glare,  and is well-known for an extensive repertoire of amused/horrified/grossed-out facial expressions.

Laura practices the metal glare.

Laura practices the metal glare.

I think her funniest moment was at Sundance’s Place, a great venue in Prescott. A woman in the audience slipped a note onto the stage; naturally, we had to see what it was … and yes, it was “My friend, Lurch, likes your sexy music.” We never did find out who Lurch was, but we never get tired of laughing about this.

Stash, the Visiting BhD

Stash, the lead singer and lead guitarist of Dorks in Space, is also a terrific bassist. His Rickenbacker bass and Ampeg stack absolutely rumble. He may “only” have a master’s degree in electrical engineering, but he has a Doctorate of the Bass, no doubt! He has joined us on several occasions, and he rocked our tunes and rocked them well. The man is also enthusiasm personified.

Stash (far left) gets into the tunes at The Rogue Bar. (Photo by Coinneach Fitzpatrick)

Stash (far left) gets into the tunes at The Rogue Bar. (Photo by Coinneach Fitzpatrick)

He’s now a new father, and spending most of his free time building his own guitar and bass amps. His first effort nails that Bon Scott-era AC/DC tone. Is there anything this guy can’t do?

Disecting Dio’s Lyrics – There’s Nothing There!

Wednesday, May 27th, 2009

Once again, I could count on Stash from Dorks in Space for perspective. After our gig, he began setting me straight about lyrics.

STASH – Like a tiger/you can see his stripes/but you know he’s clean?! What does that even mean? All Ronnie James Dio did was write stuff that would sound cool over awesome riffs! You need to shut off your filter.

ME – Yeah, but I’ve been listening to Queensryche since I was a kid.

STASH – Well, there’s your problem right there.

I genuinely enjoy hanging out with that guy. Really, I am going to try giving that filter a bit of a rest.

Missing the Rock

Tuesday, May 26th, 2009

I’m a bit sad right now. Because of Memorial Day, we didn’t rehearse Monday. Todd is going out of town for a family reunion, so I don’t get to rock Friday, either. No gigs this weekend, obviously.

On the plus side, that gives me some time to write and to improve my pitiful skills (time to spin that Paul Gilbert DVD a bit!).

But I can’t tell you how much I miss have a speaker cabinet blaring monster guitar tone at me. And the wonderful feeling of a perfectly executed dual guitar harmony line. And the sharp blast of a pinch harmonic. And watching Chris drop a drum stick – okay, not so much on that last one!

I really love practicing and collaborating. It’s a really good time. I can arrive at practice tired, hungry, in a foul mood. But the rock heals me. Truly it does. It’s worth driving in traffic, the stench of the studio bathroom permeating the hallway and even the mound of keys, retinal scan and body cavity search required to enter the building.

But remember – as much as I like practice … I love playing live AT LEAST THREE TIMES AS MUCH!

Freebird! Play some Skynyrd!

Monday, May 25th, 2009

If you’re in a band, especially one with the temerity to play guitar solos, someone is going to yell “Freebird” or “play some Skynyrd!” This is as certain as the sun rising, or as a frat boy yelling “wooooooo!” at a party.

Photoshop by Laura Rude.

Photoshop by Laura Rude.

Now, this probably funny the first three times. Everybody since then, though, is just not clever enough to come up with
something of their own.

And I promise this: The first time someone yells “Play some Immortal … something from the Sons of Northern Darkness album!”, I will jump off the stage. That person will then get a hug and a free Hung Dynasty CD.

Spinal Tap Moment #1- Hurricane Katrina Fundraiser

Sunday, May 24th, 2009

I never thought I’d show up to a gig and have a man wearing a thong offer to help carry my gear.

Okay, this deserves some explanation. My band has this little problem: We are incapable of turning down a charity gig. We’ll do just about anything for a legitimate cause or organization, and we really dig pitching in for natural disasters.

Which is what brought us to a backyard pool party in central Phoenix a few

Believe it or not, this isn't the weirdest stage we've ever played on. And that's far from the first person with too liquor in them to join us onstage.

Believe it or not, this isn't the weirdest stage we've ever played on. And that's far from the first person with too liquor in them to join us onstage.

years ago. Our then-bassist, Stacy, told us a co-worker needed a band for a Hurricane Katrina fundraiser. Immediately, everybody agreed. No further explanation needed.

But hold on just a second, she said – the crowd would be almost all gay men, with the odd “fruit fly.”

Again, no hesitation from the band. We were set.

“Can I Help You With Your Equipment?”

That’s how I encountered an exfoliated, shaved and oiled man in a black banana hammock offering his assistance. So I handed him my THD Univalve and a bagful of cables. We set up poolside, a perilous location when enthusiastic dudes were cannonballing into the pool. Sure enough, minutes into the set, water sloshed over the side and headed straight for the power strip that Todd’s gear was plugged into.

There’s nothing funnier than watching Todd  gesticulate frantically for a little help to avoid being electrocuted. All while trying to sing and play a guitar. Dean showed up and rescued him before he got fried.

You Guys Rock, but Can You Play Some Madonna?”

Bassist Emeritus Stace tunes up while wearing her "What Would Joan Jett Do" t-shirt.

Bassist Emeritus Stace tunes up while wearing her "What Would Joan Jett Do" t-shirt.

The first set went well. They seemed to really enjoy us. But between sets, I had a plea for us to play “gay” music – and yes, he really asked for Madonna. I promised him some Joan Jett, which gave Stacy a chance to sing.

I forget exactly what she said about this. But the spirit of it is that’s quite an ego boost for a straight girl to have the undivided attention of a bunch of guys in swimsuits  singing along with her.

I could see Dean from across the pool watching us. We launched into one of our signature songs, a fairly heavy Metallica-inspired rocker called “Stick it to the Man.”

Later, he kept shaking his head, laughing and repeating “I can’t believe you guys played that song.”

“Something to Eat?”

Between sets, the party host came up to me and asked if I was hungry. I asked what they had.

“We’ve got burgers, we’ve got chicken, we’ve got weiners,” he said.

I could here our then-drummer, Phung, squirming on his drum throne.

“Chicken sounds great,” I said.

Later on, Phung told me “If we’d made eye contact, I would’ve lost it.”

So, what was the net effect of our poolside performance? The partygoers raised more than $4,000 to help people affected by the hurricane. Stacy got an ego rush. Todd yelled at Dean. And I got to unfold this here story.

And they weren’t even drunk …

Saturday, May 23rd, 2009

Usually, when people are parked in front of the stage screaming and gesticulating, I guess they’re drunk. That means they’d be as nuts about the music no matter who was playing.

At Jughead’s last night, I thought for sure the dudes closest to the stage were

From a previous Jughead's show. Photo by Laura Rude.

From a previous Jughead's show. Photo by Laura Rude.

just plastered. Turns out I was wrong. After the set, I gave them a few Hung Dynasty picks to say thanks for the enthusiasm (whether influenced by fermented beverages or not). We exchanged a few words, and they sounded stone-cold sober.

Heh. I guess we must’ve done something right. We busted out a few covers, which got people into sing-along mode.

A minor glitch: During the first song, I saw the sound guy run up onto the stage. I looked over my shoulder, and saw that some huge banner had falled off the wall, square onto Chris’ head. It was draped over him like a tent! But he kept on drumming, to his credit.

Seriously, that stuff doesn’t happen in the big leagues, which makes life in the musical nether regions a lot of fun!

Set List:

Rampage
Little Jeannie
Rage (which may get a name change)
Close the Deal
Be a Man
Seek & Destroy (Metallica cover)
What it Means
Stick it to the Man
Breakin’ the Law (Judas Priest cover)

Where it all began

Thursday, May 21st, 2009

This is kind of odd. Until I was about 14 years old, I really didn’t care about music. Nothing really did much for me. I actually made it deep into 7th grade without actually knowing who the hell Bon Jovi was – quite an accomplishment for an 80s kid.

A neighbor changed all that. He was a few years older than me. He decided that I shouldn’t be cast adrift listening to crap. My salvation came in the form of Savage Amusement, an album by The Scorpions.

Now, this currently stands as one of the more maligned Scorpions albums. But

Mathias Jabs, guitarist for the Scorpions. He's cooler than you, and he knows it. (Photo by Photo Agency)

Mathias Jabs, guitarist for the Scorpions. He's cooler than you, and he knows it. (Photo by Photo Agency)

I still love it, and I completely know why it hooked me. First of all, the band’s singer, Klaus Meine, sounds like nobody else. He just has this really mysterious, almost superhuman, quality. Then there was the guitar sound. I wasn’t a guitar aficionado back then. But they just sounded lethal, like chainsaws slathered in rattlesnake venom. Too cool!

That propelled me to take up the guitar. Which also led me to Queensryche. I still love this band, too.  And I love them for more than their individual parts. Geoff Tate isn’t my favorite singer by a long shot. And the guitar sounds? They offend my ears, to be honest.

So why the love? Because the band has two guitarists, and they work hard to differentiate their parts and back them lock together, playing different lines and chord voicings. Brilliant! And they work hard on lyrics and themes, not just sticking to what worked for one album. Also, there’s always been an earnest quality about them that says they love music, and they take it seriously. And their music is always able to evoke some emotion from me. That merits my respect.

Stuff like Iron Maiden, Helloween, Gammy Ray and whatnot followed The Scorps and Queensryche. The Grunge Era was horrible for me, but I’m grateful for much of the new metal coming out of Europe. But that’s a post for another day.

“What does your band sound like?”

Tuesday, May 19th, 2009

Whenever people find out I’m in a band, they always ask me what kind of music we play. And it’s really a very hard question to answer. The best I can usually do is to tell them some of the cover songs we might mix into a set with our originals.

That usually helps, but the picture is far from complete.

justinguitarWhen we first started out, Todd had this man-crush on The Refreshments. So a lot of the songs were in that vein, with kind of cutesy-pop lyrics welded to my much more hard rock-influenced guitar phrasing and tone. That marriage of sounds made one person say we were “a cross between The Scorpions and The Refreshments.”

That changed as new people came into the band, and as Todd experimented more with the heavier side of music. These days, he’s all about Primal Fear and trying to sing like Ronnie James Dio – I approve on both counts.

Early on, people said we sounded like everything from Husker Du to Dick Dale. These days, I hear the phrase “old school metal” a lot. That means no screaming or grunting, but a big, heavy guitar sound and a medium-busy drummer who gives us some nice double-bass drumming.

Drummer – Doing everything to prove the stereotype is true

Monday, May 18th, 2009

Good god, rehearsal was an absolute fiasco tonight. The drummer left most of his cymbals at home by accident.

Okay, so how does this happen? We share the practice space with another band. The two drummers share a practice kit, but usually bring their own cymbals, pedals and snares. Well, we were in a recording studio over the weekend, and Chris took his gear home rather than back to the rehearsal space. So Chris was in a hurry to get to work this morning, and it didn’t dawn on him that there’s only a crash and a ride at the rehearsal space. Naturally, this only happens at our last practice before a gig.

But I’m not too worried about that. Chris could probably go on vacation for a month, show up jetlagged and still do pretty well. He obviously struggled a bit working with barely any equipment – it was the equivalent of me showing up with nothing but a guitar and a few cables, but no amp or cabinet. I was laughing at him and calling him Ringo Starr all night.

Next Gig:

Jughead’s
5110 E. Camelback Road, Phoenix
Somewhere around 9 p.m.

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