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Archive for September, 2009

A Quick Salute to Two Non-Metal Dudes

Wednesday, September 30th, 2009

Sometimes, I feel a need to salute people outside my preferred genre. Today’s honorees are very deserving for enthusiasm, competence and endurance. Without further ado, here are tonight’s Awesome Non-Metal Dudes of the Day.

George Thorogood - Yes, “Bad to the Bone” is hideously overplayed. But that’s not Lonesome George’s fault. And if I were king of the world, “You Talk Too Much” would hit the airwaves more often. But I defy anyone to show me another dude with lets pretense and more rockitude. He’s the very prototype for badass barroom blues-rock. He is one steady-rollin’ man. The Fuzz might not like this gear jammer, but I sure as hell do.

Brian Setzer - Straight up, I’ll admit that rockabilly-flavored stuff got too exposed in the 90s, and lasted in the mainstream for about 5.27 weeks. And that’s probably Setzer’s fault. But that’s because he did it so well. His chops are formidable. His grooves are infectious. His joy at playing live is genuine. And when his pompadour aligns with Stonehenge and the Great Pyramid at Giza just so, it will beam a message to the civilization in the Pleides star cluster to signal them that we are ready for first contact with alien life. And then there will be unlimited pomade for all!

5 Awesome Things About Being in a Rock Band

Monday, September 28th, 2009
Me playing a gig at the Marquee - huge sound! Notice the short hair?

Me playing a gig at the Marquee - huge sound! Notice the short hair?

When you’re in a rock band, you actually have a lot to complain about: Shady promoters, terrible set times, broken gear, schlepping gear, and so on.

But let me tell you, certain things make all the crappy stuff really worth the effort. Here are my top 5:

5. Your first gig being mic’d: At some venues, you just put your gear on stage and they let you rip. In better venues with quality sound systems, they’ll usually mic each amp and some of the drums individually and run it all through the PA for a better mix. Let me tell you, our first mic’d gig at The Last Exit was something I’ll never forget. Phung was back there on the drums, and the engineer said “kick drum, please.” Phung gave a nice steady thump, and you could hear the volume and resonance increase as the engineer turned his channel up. It was awesome, and it repeated for all the instruments. It is sooooo cool!

4. An awesome compliment: There’s nothing quite as good for the morale as sincere compliments from the audience. I think my favorite was when someone yelled out “Ya’ll are a bad buncha motherf*ckers!”

3. Picking on the drummer. And the singer. And the bassist. ‘Nuff said.

2. Having someone recognize you in public: A few times, I’ve had people say “Hey, you’re from Hung Dynasty,
right?” I even saw a Hung Dynasty sticker on a car, and I didn’t know who was driving it. Extra-awesome for a local band.

1. Playing on the same stage as your favorite band: Now this is simply stupendous beyond comprehension. I saw Hammerfall at the Marquee Theater. Then, I got to play there. It is a huge rush to hear your rig mic’d up at pro touring band volume. Next time I was there, I was watching Nightwish and thinking “hey, I’ve been on that stage!” In the grand scheme, it’s a pretty small thing. But when you’re a Minor League Rocker, you take the victories where you can. And this one? It was one to savor.

So, if you’re in a band, I’d love to hear your Top 5. Whatcha got?

The E Major and A Minor chords - Essential Know-how for New Guitarists

Sunday, September 27th, 2009

Alright, you might remember that recent post about my friend, Art, taking up the guitar. We both have pretty wild work schedules, and live a good distance from each other. But technology makes learning the guitar a beautiful thing. So I can whip up little lessons for him, like so. Maybe any other beginner guitarists out there can take advantage of this, too.

Are you too old to start playing the guitar?

Saturday, September 19th, 2009

So I spent most of my morning in a Guitar Center today - it’s not exactly my favorite music store on the planet, but that’s a topic for another post.

I was there to help my long-time pal, Art, pick out his first guitar. He’d like an acoustic guitar so he can strum along on his favorite 90s rock tunes, and eventually sing ‘em, too. He envisions maybe doing it during parties, around the campfire, maybe at an open mic night.

He’s 34 years old. And I really admire that he went for it. He never once asked me “am I too old to start playing?”.

Because even if you’re 106 years old, you are not too old to take up the guitar. I see know earthly reason why age should be a factor in taking up any hobby within reason. I started playing when I was 15. The odd thing is, I learn faster know. And not just guitar concepts - electronics, CSS code, new styles of writing: just about anything, really. I think that’s because I can equate it to things I learned in the past. Those connections solidify the concepts in my mind.

Anything that engages your mind and/or creativity is a good thing. And yes, you can start playing late in life and get very good at it.

So why not try it? All you have to lose is a few hundred bucks and some hours of your time. But you can gain a lot more than you can lose.

As for Art … we found him a nice, reasonably priced Yamaha. I sent him home with a little exercise to start coordinating his hands for something productive! Soon, we’ll get him started on some chords.

Running on Empty, but Surviving

Sunday, September 13th, 2009

Rock music heals. Seriously.

All day Saturday, I was feeling lifeless and drained. Barely had an appetite. Fell asleep on the couch three times. That’s not like me at all. Maybe I just really needed the rest.

Anyway, that’s all a pretty bad time to have a midnight gig. The show was at Crabby Don’s in Gilbert, way far away from me. Might as well be New Mexico. I put off my departure as much as possible to still get there an hour early … excessive? Maybe. But venues love Hung Dynasty because we’re punctual and reasonable. More than a few times, we’ve bailed out venues that’ve had last-minute cancellations.

I was still feeling foggy after a few Ibuprofen tablets; I also planned for some caffeine and sugar when I bought what I thought was a Mountain Dew. But no - I missed the dreaded moniker of assy flavor: Diet. Ugh!

But from the first riffs of Rampage, all symptoms abated. We played a pretty good set. The reactions were a bit odd, though. Nobody seemed to like our rockafied versions of The Gambler and Turning Japanese. Seek & Destroy, though, got a huge reaction, including one girl grabbing Todd’s hand and kissing it.

“You’re never gonna wash that hand again, are you?” I asked after the tune.

“Nope, but I sure am gonna soil it!” he said.

All the originals went pretty well. Next time we play Crabby Don’s, we’ll likely pick a more metal-oriented trio of covers.

Evaluating the Casino Arizona “Showstoppers”

Thursday, September 10th, 2009

So my brother and his wife are in town, and it’s just about her birthday. So I agreed to go with them to a “Showstoppers” performance at Casino Arizona with them. That entails four different impersonators doing their stuff. What did I think? Read on …

The show started with Elvis. He was adequate and competent. but really mailing it in. I don’t get the impression that he particular likes Elvis - but his appearance probably led to a Halloween costume which led to a night gig. I’m not 100 percent convinced they didn’t have him running through autotuning software and being matched by a backing track. He kept pulling his mic really far away from his mouth without much of a volume loss during sections of the song when he wasn’t really moving a lot of air. And he wasn’t really playing his guitar. Suspicious. Bruce Campbell was a way better Elvis in Bubba Ho Tep. But Bruce Campbell … well, let’s put it this way: You pray to god. I pray to Bruce Campbell.

Garth Brooks was next. He was portly and dressed right, but looked nothing like Garth Brooks. He sang well, though, and delivered the most genuine performance of the night. Now, let’s face it: Garth is country’s Don Dokken - if he fell off the face of the earth, you could find dozens of country singers to take his place. This guy among them. I noticed that he seemed genuinely enthused, and connected with the audience with the vibe of being a guy acting Garth’s part and enjoying it, and trying to get everyone to buy into the illusion. Well done. Another thing I noticed: Replace Garth with a less twangy dude and heavier guitar sounds, and you essentially have a late version of Bon Jovi. And except for one tune, the engineer totally cut Garth’s guitar out of the mix.

Next we had a comedian. Eh. Move along. Nothing to see here.

Tina Turner took us on  turn to the distaff. She was competent, but lacked articulation. She was often hard to understand and had difficulty cutting through the mix. Amazing, considering that the backing band was really, really quiet: The drummer had a light touch; the guitarist was good, but playing through a solid-state rig that absolutely disappeared through most tunes; the bassist was pretty sleepy and unambitious. Didn’t miss a note, but wasn’t exactly letting it all hang out.

The Four Tops closed the show. They were very accurate, but the style of music does nothing to move me at all. And I hate it when anyone tells me to “put yo’ hands together” at least once per song. Dude, you’re the performer. You are the show, not me. Hung Dynasty only requests audience participation once per set, usually during Metallica’s “Seek and Destroy” or a Priest or AC/DC song. Use that schtick sparingly, and remember that you’re getting paid to be the entertainment. Not the audience.

Now, if Casino Arizona ever has a Showstoppers performance featuring Immortal, Hammerfall, Nightwish and the Scorpions, I will SO go back.

Props for Hung Dynasty’s Songwriting

Wednesday, September 9th, 2009

I’m more excited about this than I should be, but let me explain: “Stick it to the Man”, long a staple of Hung Dynasty’s live shows, has scored third place in Yab Yum Music’s Anti-Authority Song Contest.

“This song would be great for rallying the Anti-troops on stage and the “Man” is definitely what needs to be taken on,” Yab Yum editors wrote.

Damn straight! I submitted us on kind of a whim because “Stick It” is a perfect anti-authority song. When I saw the theme, I thought we had a shot. It’s really cool that some of what we’re doing resonates with people.

While I have your attention, don’t forget to check out this weekend’s show at Crabby Don’s, Val Vista & Baseline in Gilbert! That’s Saturday night, and we have the lovely midnight slot.

Judas Priest Meets Elmer Fudd?

Tuesday, September 8th, 2009

Oh, boy. I know this is gonna enrage a lot of Judas Priest fans. But I was just listening to an old live Priest disc. When it came to the track “Turbo Lover”, it occured to me that -at least on this song- Rob Halford sounds way too much like Elmer Fudd for my liking.

Don’t believe me? Then go find a copy of the rather blandly named Priest … Live! album. Give a listen to “Turbo Lover” and see if you can look me in the eye when you say “No, I honestly don’t think he’s about to sing ‘I’m yo’ turbo wov-ah, tell me dere’s no uddah … ha ha ha, wascally wabbit!”

The idea of Elmer in leather and Rob in a silly hunting hat and toting a double-barrel shotgun is also pretty amusing.

New Amps … and Another Mixed Bag of Shows

Saturday, September 5th, 2009

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It’s odd how you can take the same band, hear them twice and get two different results.

Last weekend at Smokey’s in Mesa, Chris the drummer and I felt out of sorts the whole night. Everything was a struggle, and I had a near catastrophic mistake. Fortunately, it was in the last few bars of one of our songs. He and I usually mesh really nicely, and everything goes pretty smoothly. Not that night.

Last night at Donna Jean’s, though, was another story. That performance was polished to a high sheen. I can attribute some of it to the crowd. Donna Jean’s had a lively bunch, and that always makes it more fun to play live.

A lot of them were regulars, so we decided to switch our set up a touch. That meant excluding a few crowd favorite covers for a few different ones, but it went over really well. We took Judas Priest’s “Breaking the Law” and Metallica’s “Seek & Destroy” out, replacing them with “The Gambler” (yes, the Kenny Rogers song, but done OUR way!) and AC/DC’s “TNT”, which was great.

For you gear heads, Todd (singer/guitarist) and I have really created a very hard-hitting guitar sound. He recently picked up a used Mesa F-100. It pairs really nicely with my Fryette Deliverance 60. Both of us now have a very aggressive distortion character which lends itself well to our music. But we’re not pooping all over each other sonically, which is really cool. Each of us has a distinct but complementary tone.

Speaking of the Deliverance, it’s very new to me but has become my number-one amp. I’ve been promising you a review of it, I know. Give me a day or two and you’ll finally have it!

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