Technorati Profile February 2012 Archives « Minor League Rocker Minor League Rocker
Sunday, May 20, 2012 07:40

Viagra
Auto insurance
Cialis online

Archive for February, 2012

Heavy Metal Literature – Lord of the Rings Not Allowed

Sunday, February 12th, 2012

Tyrion Lannister (played by Peter Dinklage) kicks Frodo - and all his castmates - to the curb. Is he the new heavy metal protagonist? (Image found at www.thestartofallthings.wordpress.com

I’m about to commit heavy metal heresy: I don’t want to hear another metal band naming itself after or singing about stuff from Lord of the Rings. It’s an old, tired, geeky heavy metal cliche. What works of fiction can bands turn to next to show their non-hackneyed literary cred? I have some suggestions broken down by the type of band.

For the Righteous Warriors of Power Metal
The first book in this series by George R.R. Martin, A Game of Thrones, is already a hit HBO series. The five-book (so far) collection is far darker and less cutesy than J.R.R. Tolkien’s work. It’s ripe with characters and places that would make epic heavy metal lyrics, from the The Wall guarded by the Night’s Watch to the mysterious, post-volcanic cataclysm of Valyria. Dragons? Check. Dudes in armor? Check. Scary undead creatures? You betcha. Perfect for heavy metal. Who could do it best? My bet is on Swedish power metal band Hammerfall – they could breathe lyrical life into Tyrion Lannister, Ned Stark and Daenerys Targaryen.

For Lamentations of Lost Love and Broken Families
So far, author Patrick Rothfuss has only finished two books in the Kingkiller Chronicles. You’ve got a flawed protagonist with a terrible past. You have him alternately bent on revenge and hiding to save his own skin. You have fairies, cruel nobles, enemies that seem to have no weakness. Mix in some lost love, and you’ve got a perfect stew for lyrics and music that would conjure memories of Oceanborn-era Nightwish symphonic metal. A female-fronted metal band could run with this mix … though the title of the first book, The Name of the Wind, also invites smirky dudes like me to riff on songs about flatulence.

For the Creepy Crypt Dwellers
There’s no rule that says heavy metal has to be about clashing steel and maidens fair. How ‘bout a lonely kid roaming an English moor searching for the remains of his dead uncle … and instigating a showdown with a serial killer who preys on kids his age? That’s the premise of Belinda Bauer’s outstanding book Blacklands. I describe it as About a Boy meets The Silence of the Lambs. It’s a ready-made recipe for a doom metal band. It requires a creep vibe, and the Dutch band Candlemass and its American singer could deliver.

For Politically Angst-Ridden Thinkers
Dystopian futures are no stranger to heavy metal. And Veronica Roth’s book Divergent could be a vehicle for a Queensrcyhe/Fates Warning/Iced Earth sort of metal band to go off the rails. It’s set in Chicago, where it follows the story arc of a girl named Beatrice. She leaves her family and her grim psuedo-Amish faction to join the society’s unquestioned badasses. There, Beatrice becomes Tris – and a fulcrum for change in the first book of a proposed trilogy. I was a bit chagrined to realize that Roth wrote it for young adults. By the end, I didn’t care.

Optimized with InboundWriter

I Am a Guitar Amplifier Guinea Pig

Thursday, February 9th, 2012

This head went from being a broken-down cat chair to a fire-breathing monster.

I am a hand-built guitar amplifier guinea pig. My buddy and bassist Chris treats me like his personal Bruce Campbell of tone, and I like it.

See, I had this old Laney AOR100 head sitting around. Everyone around here tried fixing it, including the crew at Krank Amplification. All failed.

Except Chris. He took the Laney head. He gutted it. He built a circuit based on the Soldano SLO 100 head’s lead channel. And boom! A new amp was born.

How’s it sound? It sings. It has an almost-human vocal quality, a thick, warm, syrup voice with tons of sustain. It is a guitar solo lover’s dream. It also meshes with Todd’s Mesa amplifiers – an F100 and a Triple Rectifier – beautifully during live shows. Take a listen at the bad YouTube recording below.

You know I love my VHT Deliverance 60. It has a tight bottom end. Its tone is defined, sharp. It grinds, it crushes, it chugs. But for guitar solos, it can’t match Chris’s resurrected Soldaney … or Angry Duck, as we call it.

I know he has a dream – to one day build decently priced handbuilt amps for workaday players like us: Guys who are unlikely to make a living as musicians, but love playing and know their stuff.

To reach them and their buckage, Chris needs to take a few steps:

  • More usable gain. The Angry Duck quacks unpleasantly if your crank any of the gain stages up too high. The perception is that, if the dial turns that far, you should be able to use it.
  • Tighter bottom end. Yes, this is a lead guitarist’s amp. But we like to chug, too!

Aside from that, I frreakin’ love this amp. I use it live more than I do the VHT.

Follow me on Twitter!

Optimized with InboundWriter

The Triumphant Return of Minor League Rocker

Thursday, February 9th, 2012
The Minor League Rocker’s unplanned hiatus is over! I got hit by a hacker. He eventually left, but took my login credentials with him. But I overcame.

Watch for a few changes here. You’ll see things I’ve learned from my other blog – most of it should be good. I hope you’ll pardon any dust along the way, and just continue rockin’ with me. My goal is to make MinorLeagueRocker.com own its place on the Web, just as WanderingJustin.com does.

Most of all, I will make this a better-than-ever place to chat about heavy metal (especially the power, symphonic and NWOHM versions), playing live music, tips, tricks and observations. So gather around this Serengeti watering hole of a heavy metal haven and talk it up!

Nightwish “Imaginaerum”: 5 Quick Thoughts

Wednesday, February 8th, 2012

Nightwish-Melbourne-2008

Nightwish after a show in Australia.

Even if you’re not a Nightwish fan, their new album, Imaginaerum, might catch your attention at your local music store. This post is for people who don’t know about this Nordic symphonic metal band. Well, here’s what you need to know about Nightwish and Imaginaerum. If you’re already a fan, this post might get you talking and thinking even more about this album.

Bird’s Eye View of the Band

Nightwish is from Finland. You could argue that their symphonic metal paved the way for Evanescence – for better or worse – by pioneering the “big guitar plus clear-voiced female singer” sound. They use a lot of orchestration, with tons of changes in volume and a few meter and tempo switches. The moods also shift quite a bit from song to song.

Singer Situation

Current singer Anette Olzon isn’t the original Nightwish singer. She succeeds Tarja Turunen, who had a classical singing style and a really powerful set of lungs. Turunen is pretty much a symphonic metal archetype. Her ouster from the band in 2005 caused a lot of angst for gothy types, especially when band leader/keyboardist/composer Tuomas Holopainen gave Olzon the gig. Turunen is a physical force that Olzon can’t match – but Olzon is more versatile and emotive. She also appeals to a wider audience (yet another reason some longtime fans are deepening their frown lines). Imaginaerum is the first Nightwish album that Holopainen wrote specifically for Olzon’s range and style.

Surprise, Surprise

Imaginaerum peaked at 27 on the U.S. Billboard chart, eliciting a huge “how the hell did that happen?” from me. I love this band in both incarnations … but symphonic metal is not exactly a sound popular in America. Holopainen calls the album “Hollywood landscape metal.” Some might call it cheesy because of its crazy orchestration and poetic lyrics. To me, though, “cheesy” is often code for “I couldn’t play or compose anything like this in a million years, and I’m jealous.”

How ‘bout Them Guitars?

Nightwish isn’t a riff-oriented band. One of the main criticisms I’ve heard about the album centers on guitarist Emppu Vuorinen … I hear stuff like “generic modern metal riffs.” Here’s the thing: The guitars on Imaginaerum (and indeed on the two albums before it, Once and Dark Passion Play) are more for texture and percussion rather than for main melodies. This is true of many symphonic metal bands. And listen to the extraordinarily tight interplay between Vuorinen and drummer Jukka Nevalainan: There is no room for error, and these guys don’t make any errors. Tight, tight, tight. Yngwie Malmsteen-style scrambling isn’t what Nightwish needs.

In and Out of Genres

Imaginaerum is not just a metal album. Sure, “Ghost River” rocks as hard as a lot of stuff out there. But “Slow, Love, Slow” is a slow, jazzy number that will make longtime Nightwish scratch their heads in consternation … at first. They’ll come to love the awesome melody and note choice – and listening to Jukka gently stroke a snare with jazz brushes. “Turn Loose the Mermaids” sound like something Blackmore’s Night would write, with a Druidic vibe that’ll make you feel like visiting Stonehenge. Oh, and it has a section that sounds like a spaghetti Western. Somehow, it all works. Then there’s “Scaretale”, which sounds like a carnival ride gone wrong. It’s probably also the wildest, most enthusiastic, most intense performance OIzon’s ever concocted. The versatility and changes are unusual, even from a symphonic metal originator.

So, what about you? Any observations I missed? Questions about the band? Let’s hear it!

Optimized with InboundWriter

TopOfBlogs Musicians, Singers & Bands Blog Directory Rock Music Blogs - BlogCatalog Blog Directory
canakkale canakkale canakkale balik tutma search canakkale vergi mevzuati