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Archive for the ‘creativity’ Category

Boston – A Real Music Town

Saturday, October 10th, 2009

Having recently spent three days near Fenway Park, I’ve discovered that Boston seems to be a real music town. The Berklee College of Music obviously provides a wealth of well-trained musicians out there, and its roster of grads speaks for itself. That makes for a thriving local music scene.

According to my buddy Kit Holliday, a local singer, the venues by-and-large treat the local acts well. There also seems to be a genuine appreciation for music there. If you live in or visit Boston, you should be so lucky as to hear Kit sing live. I’ve only heard recordings, but I would’ve loved to see her live. Maybe next time!

And unlike Phoenix, there is a thriving music retail scene. It ain’t just Guitar Center.

Last note for now: The Guitar Lessons for Art series will soon resume!

Are you too old to start playing the guitar?

Saturday, September 19th, 2009

So I spent most of my morning in a Guitar Center today – it’s not exactly my favorite music store on the planet, but that’s a topic for another post.

I was there to help my long-time pal, Art, pick out his first guitar. He’d like an acoustic guitar so he can strum along on his favorite 90s rock tunes, and eventually sing ‘em, too. He envisions maybe doing it during parties, around the campfire, maybe at an open mic night.

He’s 34 years old. And I really admire that he went for it. He never once asked me “am I too old to start playing?”.

Because even if you’re 106 years old, you are not too old to take up the guitar. I see know earthly reason why age should be a factor in taking up any hobby within reason. I started playing when I was 15. The odd thing is, I learn faster know. And not just guitar concepts – electronics, CSS code, new styles of writing: just about anything, really. I think that’s because I can equate it to things I learned in the past. Those connections solidify the concepts in my mind.

Anything that engages your mind and/or creativity is a good thing. And yes, you can start playing late in life and get very good at it.

So why not try it? All you have to lose is a few hundred bucks and some hours of your time. But you can gain a lot more than you can lose.

As for Art … we found him a nice, reasonably priced Yamaha. I sent him home with a little exercise to start coordinating his hands for something productive! Soon, we’ll get him started on some chords.

Props for Hung Dynasty’s Songwriting

Wednesday, September 9th, 2009

I’m more excited about this than I should be, but let me explain: “Stick it to the Man”, long a staple of Hung Dynasty’s live shows, has scored third place in Yab Yum Music’s Anti-Authority Song Contest.

“This song would be great for rallying the Anti-troops on stage and the “Man” is definitely what needs to be taken on,” Yab Yum editors wrote.

Damn straight! I submitted us on kind of a whim because “Stick It” is a perfect anti-authority song. When I saw the theme, I thought we had a shot. It’s really cool that some of what we’re doing resonates with people.

While I have your attention, don’t forget to check out this weekend’s show at Crabby Don’s, Val Vista & Baseline in Gilbert! That’s Saturday night, and we have the lovely midnight slot.

You Need an Audience

Tuesday, July 28th, 2009
Passing the scared senseless barrier and into the realm of rocking your face clean off.

Passing the scared senseless barrier and into the realm of rocking your face clean off.

You know what’s really awesome?

When you’ve done enough gigs that you spend barely any time worrying about executing. That frees up all sorts of room for you to just focus on being entertaining and on having fun.

I seriously wish that everyone who runs across this blog would take up an instrument and gig enough to get there. It’s a really wonderful feeling, and a sensation that’s terribly difficult to explain adequately.

Pay attention to what I’m saying now: Grab an instrument. Get proficient. Jam with others. Start doing open mics or whatever you can do. Do it until you cross that barrier where you’re sick to your stomach 12 hours before a gig, to where you can’t wait to boot the act before you offstage so you can get down to business.

Do it if you love rock. Do it if you love punk. Do it if you love country (I can’t believe I just said that). Do it if you’re a heartbroken acoustic navelgazing crooner. Do it if you play the accordian. Do it if you play the meanest didgeridoo on the planet. Just don’t let another day pass you by if you have any desire to perform in front of people.

I promise it will make your life better.

Paul Gilbert’s “Intense Rock”: Necessary!

Saturday, July 25th, 2009

I know I off-handedly mentioned Paul Gilbert’s guitar instruction DVD, “Intense Rock”, some posts ago.

Now I’m going to give it its true due: If you are a serious and half-way decent guitarists, buy this DVD immediately. You also know I don’t hawk products here. People don’t send me free stuff to promote. If I say something is awesome, it’s because it it.

“Intense Rock” is one meaty collection of licks and tricks. Most are fairly familiar to advanced guitarists, and they will do a lot to jog the memory and spur creativity. Most of the sequences are based on the modes and cycle of fifths, so you’ll be able to apply what you’re learning quickly if you already have that knowledge.

So far, my favorite part is the sweep arpeggios section. It’s done more to help my sweeping technique than any other lesson I’ve seen anywhere. Best of all, is I’ve been able to transpose Paul’s sweeps into my own keys and scales, opening up some nice new horizons for me. Very cool!

If you want to be a better rock/metal guitarist, this is the best $30 you can spend.

Paul, if you ever happen to run across this post – thank you thank you thank you!

American Idol Making America Idle

Sunday, June 14th, 2009

There’s something I need to get out there – I can’t stand American Idol.

I’ve never watched a full episode. I couldn’t last that long without gagging like I had a live beetle lodged in my throat. And it’s not even just because the music is so abject. It’s because of the philosophy.

Which is: “Attention, America – there’s no need to think and discover new things for yourself. We’ll tell you what to like. Just pick from these pre-packaged, soulless choices. Come on in. The water’s fine in the conformity pool!”

Really, the United States has stepped back in time socially, even since the 80s. The music scene used to be fragmented, and you could actually find people who were genuinely passionate, engaged and knowledgeable about various types of music. I just don’t see that happening anymore. It’s like were being sucked backed to the homogeneity of the 1950s. Yes, there are still some pockets of individuality, a subversive idea or two.

But overall, this nation is gleefully swilling overprocessed pap with a vacant smile on its collective face. This is why Daughtry can pack an arena, but Europe’s best-selling bands are lucky to draw 500 here. Daughtry? The guy is a singing strip mall, and he even looks like every other faux-sensitive/introspective faux rocker.

Speaking of Daughtry, allow me to introduce my list of 20 Singers Who Are Better Than Either of Those Weenie American Idol Weenies*. They are, in no particular order:

Ralf Scheepers – Multiple bands
Justin Hawkins – The Darkness
Marco Hietala – Tarot, Nightwish
Andi Deris – Helloween
Joacim Cans – Hammerfall
Oni Logan – Lynch Mob
Tobias Sammet – Edguy
Joakim Broden – Sabaton
Klaus Meine – The Scorpions
Bruce Dickinson – Iron Maiden
Rob Halford – Judas Priest
Ronnie James Dio – Dio, Rainbow, Heaven & Hell
Messiah – former Candlemass
Geoff Tate – Queensryche
Matt Barlow – Iced Earth
Russell Allen – Symphony X
Ray Alder – Fate’s Warning
Blaze Bayley – Former Iron Maiden
Zachary Stevens – Savatage
Eduardo Falaschi – Angra

*These are all male vocalists since the finalists were male. Of course, most of the female metal vocalists would still make either of those guys cry.

A Song for an Arizona Flying Ace

Tuesday, June 2nd, 2009
Frank Luke with his plane, courtesy of Acepilots.com
Frank Luke with his plane, courtesy of Acepilots.com

Last week, I had a great question from Manny, one of the recording engineers who worked on our latest bunch of tunes. He wanted to know how we wrote the tune “Rampage.”

I’m glad he asked about this one, because it has a great story behind it. He actually was wondering if it was about that early 90s video game!

But here’s the deal: The riffs for “Rampage” came first. They came from a really interesting guitar lesson I had. This lesson was an equal mix of sharpening my chops and my songwriting skills. Anyway, the teacher, who goes by the nickname Ahab, told me to try this trick: Put a movie in the DVD player, hit the MUTE button and play your own soundtrack. A great idea, really.

I’d just bought Conan the Barbarian on DVD, so that’s what I played along to. I then recorded some scratch tracks on my computer and brought the riffs into the rehearsal space for band approval.

Frank Luke's namesake, and some of the planes assigned to it. He deserves it. (Found at glendalerealestate.info)

Frank Luke's namesake, and some of the planes assigned to it. He deserves it. (Found at glendalerealestate.info)

It didn’t take us long to dream up a subject for the song. I’ve long wanted to write some stuff that stamps us as an Arizona-based band, so it made sense to select an Arizona-based character. I wandered across Frank Luke, a WWI flyer from Arizona and namesake of Luke Air Force Base. We mapped out the story, and Todd worked on weaving the lyrics into the music. The guitar solo was a bit of a laborious process, for some reason, but I’m relatively happy with the way it turned out.

I love playing the entire tune, and the audiences seem to dig it. We’ve opened the last few shows with it, and it gets a great response. I’ll post a clip sometime in the next week or two.

Disecting Dio’s Lyrics – There’s Nothing There!

Wednesday, May 27th, 2009

Once again, I could count on Stash from Dorks in Space for perspective. After our gig, he began setting me straight about lyrics.

STASH – Like a tiger/you can see his stripes/but you know he’s clean?! What does that even mean? All Ronnie James Dio did was write stuff that would sound cool over awesome riffs! You need to shut off your filter.

ME – Yeah, but I’ve been listening to Queensryche since I was a kid.

STASH – Well, there’s your problem right there.

I genuinely enjoy hanging out with that guy. Really, I am going to try giving that filter a bit of a rest.

Missing the Rock

Tuesday, May 26th, 2009

I’m a bit sad right now. Because of Memorial Day, we didn’t rehearse Monday. Todd is going out of town for a family reunion, so I don’t get to rock Friday, either. No gigs this weekend, obviously.

On the plus side, that gives me some time to write and to improve my pitiful skills (time to spin that Paul Gilbert DVD a bit!).

But I can’t tell you how much I miss have a speaker cabinet blaring monster guitar tone at me. And the wonderful feeling of a perfectly executed dual guitar harmony line. And the sharp blast of a pinch harmonic. And watching Chris drop a drum stick – okay, not so much on that last one!

I really love practicing and collaborating. It’s a really good time. I can arrive at practice tired, hungry, in a foul mood. But the rock heals me. Truly it does. It’s worth driving in traffic, the stench of the studio bathroom permeating the hallway and even the mound of keys, retinal scan and body cavity search required to enter the building.

But remember – as much as I like practice … I love playing live AT LEAST THREE TIMES AS MUCH!

Riffs a-plenty, but my lyrics are gone

Monday, May 18th, 2009

When I’m not rockin’ with the band, I’m a corporate wordslinger and freelance writer. I wish that meant I could whip out lyrics all day. But something about using rhyme and meter eludes me – I’ve only written the lyrics to two of our songs. Prose? I can do it all day.

This drives me crazy, because I churn out riffs, licks and chord progressions like crazy. And Todd can only produce lyrics so fast.

I think part of it is that I’m undisciplined. It’s way easier to pick up the guitar, fire up an amp and come up with some new riffs. Also, since I make a living with words, it’s often hard for me to try something that sounds cheesy. Which lyrics -even good ones- often do to my ear.

Today, it’s gonna be different. I’m not touching the guitar until I at least have a working verse for this one tune I’ve wanted to write for a long time.

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