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Archive for the ‘Music I Like’ Category

Old Live Scorpions Show a Blast from the Past

Thursday, October 15th, 2009

When I was in high school, I bought a live Scorpions tape called Tokyo Tapes. It was all the earlier stuff from the Uli John Roth era. I don’t remember digging it very much, though my friend Jodi (the second-ranked Scorps fan in the school) and I really liked the part where thousands of Japanese people yelled for an encore by chanting “Scawpions! Scawpions!” over and over.

I just picked it up on disc out of curiosity, and I like it a lot better. I’m bummed “Is There Anybody There?” wasn’t on the set list, and Klaus’ pronunciation was way funnier back in those days. But man, Uli can play his ass off. It’s clear that Yngwie Malmsteen was watching that cat carefully back in the day. He had modern tone and very modern technique, even in 1978.

The songs are still a bit weird and spacey overall. But the boys lock into some monster grooves, and Klaus will always possess one of the most distinct and awesome voices in rock history. And just look at that longevity! They can still pack a stadium, and they bring the rock (even with a substantially changed lineup).

Boston – A Real Music Town

Saturday, October 10th, 2009

Having recently spent three days near Fenway Park, I’ve discovered that Boston seems to be a real music town. The Berklee College of Music obviously provides a wealth of well-trained musicians out there, and its roster of grads speaks for itself. That makes for a thriving local music scene.

According to my buddy Kit Holliday, a local singer, the venues by-and-large treat the local acts well. There also seems to be a genuine appreciation for music there. If you live in or visit Boston, you should be so lucky as to hear Kit sing live. I’ve only heard recordings, but I would’ve loved to see her live. Maybe next time!

And unlike Phoenix, there is a thriving music retail scene. It ain’t just Guitar Center.

Last note for now: The Guitar Lessons for Art series will soon resume!

A Quick Salute to Two Non-Metal Dudes

Wednesday, September 30th, 2009

Sometimes, I feel a need to salute people outside my preferred genre. Today’s honorees are very deserving for enthusiasm, competence and endurance. Without further ado, here are tonight’s Awesome Non-Metal Dudes of the Day.

George Thorogood – Yes, “Bad to the Bone” is hideously overplayed. But that’s not Lonesome George’s fault. And if I were king of the world, “You Talk Too Much” would hit the airwaves more often. But I defy anyone to show me another dude with lets pretense and more rockitude. He’s the very prototype for badass barroom blues-rock. He is one steady-rollin’ man. The Fuzz might not like this gear jammer, but I sure as hell do.

Brian Setzer – Straight up, I’ll admit that rockabilly-flavored stuff got too exposed in the 90s, and lasted in the mainstream for about 5.27 weeks. And that’s probably Setzer’s fault. But that’s because he did it so well. His chops are formidable. His grooves are infectious. His joy at playing live is genuine. And when his pompadour aligns with Stonehenge and the Great Pyramid at Giza just so, it will beam a message to the civilization in the Pleides star cluster to signal them that we are ready for first contact with alien life. And then there will be unlimited pomade for all!

Judas Priest Meets Elmer Fudd?

Tuesday, September 8th, 2009

Oh, boy. I know this is gonna enrage a lot of Judas Priest fans. But I was just listening to an old live Priest disc. When it came to the track “Turbo Lover”, it occured to me that -at least on this song- Rob Halford sounds way too much like Elmer Fudd for my liking.

Don’t believe me? Then go find a copy of the rather blandly named Priest … Live! album. Give a listen to “Turbo Lover” and see if you can look me in the eye when you say “No, I honestly don’t think he’s about to sing ‘I’m yo’ turbo wov-ah, tell me dere’s no uddah … ha ha ha, wascally wabbit!”

The idea of Elmer in leather and Rob in a silly hunting hat and toting a double-barrel shotgun is also pretty amusing.

Beyond the Metal – Finding Happiness in Other Music

Wednesday, July 8th, 2009

It’s very rare that I’ll buy an album that isn’t in the metal genre. So Flogging Molly must be some sort of gods considering that they’re albums are practically an automatic “BUY” whenever they release one.

For those not in the know, Flogging Molly sounds like the Ramones getting in a car accident with an Irish pennywhistle band. So you’ve got fiddles clashing with a Les Paul, bass clanging into banjos and the like. It’s very fast-paced music, for the most part, and upbeat. When it slows down, it swings into a sweetly melancholic realm.

So what makes this heavy metal savage love Flogging Molly?

First and foremost, it’s all genuine emotion that’s still skillfully arranged and executed. No, there are no sweep arpeggios or double-bass drums, no mind-frying guitars solos. But the musicians just sound good, like they’re playing exactly what they need to play at that moment. The vocals are understandable, which is great because most of the lyrics are also wonderful pieces of storytelling.

Which brings me to the second point: There is a terrific regional quality to Flogging Molly that I’d love to replicate in Hung Dynasty. You need not know anything about the band, and from the first few bars you’ll be like “yep, they’re Irish” (or at least the singer/songwriter/bandleader is). You can practically hear an audible “Jayzus Chroist, Ah’m fecking flewtered again” in every tune. I guess maybe it’s easier to convey a sense of Ireland than it is Arizona, but I’ll keep striving to attain that goal.

Now, I’ve gotta find me some Guinness.

Female-Fronted Metal: Post #2

Thursday, June 25th, 2009
Floor Jansen at 2007 Master of Rock. Photo by KaJaNa.

Floor Jansen at 2007 Master of Rock. Photo by KaJaNa.

It’s time for another installment in my Female-Fronted Metal series. Last time it was Nightwish. Now it’s the now-defunct After Forever. Below, you’ll find the band’s wonderful cover of Iron Maiden’s “The Evil that Men Do.”

Now, I have to say – this band is not as good as the sum of its parts. They should be way better than they are. Floor Jansen has a monster set of pipes and possibly the best stage presence of any singer drawing breath (a brief aside: People “ooh” and “ahh” over that chick from the YeahYeahYeahs. I know it’s a different genre, but Floor absolutely destroys her on every level.).

The rest of the band can play just great. What they can’t do is consistently write awesome songs. That might be why there are no longer. That and, in my opinion, a keytar is a kiss of death! The band has a lot of skill and enthusiasm and they bring it full-force for this classic tune. Great chemistry among them. Just not, to me, the best songwriters.

Floor says she has something new in the works – I’m looking forward to it. She is a grade-A metal singer.

As for the video – I love it. It shows real musicians, and you can tell that they’re fighting hard like real musicians do. The guitarist is having a devil of a time with his Floyd Rose tremolo system, having to adjust and lock the collar down. Floor herself seems to be making adjustments to her in-ear monitor system. Overcoming challenges and still delivering. Love it!

The Rocker Versus the Runner – Clash of Lifestyles

Wednesday, June 17th, 2009

One of the funny things about my life is that my hobbies are completely linked to different activities and ways of thinking.

On one hand, I’m a rocker. I’m supposed to rock and roll all night, and party every day.

On the other, I’m a runner. I’m supposed to get up early and eat tofu and steamed fish.

So which is it? Well, I’m really closer to being a runner. I think I’m a better rocker, but there you have it. Even after gigs, I try and slither out the door at the first chance. It’s not always easy. People want to talk to you about your music. Friends came out to see you. Guitar geeks want to know what kind of strings you use.

That makes everything a balancing act. It’s going pretty well so far. I ran my personal record in the half-marathon a few months ago. And truth be told, I can out-run, out-lift and even out-shred my 20-year-old self any day. Sweet!

So in light of my topic tonight, here’s my ultimate song playlist for running a 10K!

Lavatory Love Machine – Edguy
Get Ready to Die – Andrew WK
The Escapist – Nightwish
Back in Control – Sabaton
Say Somethin’ Nasty – Nashville Pussy
Hearts on Fire – Hammerfall
Armored Saint – Reign of Fire
Third Chance – The Gathering
Cowboys from Hell – Pantera
Resurrection – Halford
Save Us – Helloween
Liar – Yngwie Malmsteen (live – can’t stand the studio version)
Aces High – Iron Maiden
Bark at the Moon – Ozzy
Take it Off – The Donnas

Now that ought to get you through a 10K race!

American Idol Making America Idle

Sunday, June 14th, 2009

There’s something I need to get out there – I can’t stand American Idol.

I’ve never watched a full episode. I couldn’t last that long without gagging like I had a live beetle lodged in my throat. And it’s not even just because the music is so abject. It’s because of the philosophy.

Which is: “Attention, America – there’s no need to think and discover new things for yourself. We’ll tell you what to like. Just pick from these pre-packaged, soulless choices. Come on in. The water’s fine in the conformity pool!”

Really, the United States has stepped back in time socially, even since the 80s. The music scene used to be fragmented, and you could actually find people who were genuinely passionate, engaged and knowledgeable about various types of music. I just don’t see that happening anymore. It’s like were being sucked backed to the homogeneity of the 1950s. Yes, there are still some pockets of individuality, a subversive idea or two.

But overall, this nation is gleefully swilling overprocessed pap with a vacant smile on its collective face. This is why Daughtry can pack an arena, but Europe’s best-selling bands are lucky to draw 500 here. Daughtry? The guy is a singing strip mall, and he even looks like every other faux-sensitive/introspective faux rocker.

Speaking of Daughtry, allow me to introduce my list of 20 Singers Who Are Better Than Either of Those Weenie American Idol Weenies*. They are, in no particular order:

Ralf Scheepers – Multiple bands
Justin Hawkins – The Darkness
Marco Hietala – Tarot, Nightwish
Andi Deris – Helloween
Joacim Cans – Hammerfall
Oni Logan – Lynch Mob
Tobias Sammet – Edguy
Joakim Broden – Sabaton
Klaus Meine – The Scorpions
Bruce Dickinson – Iron Maiden
Rob Halford – Judas Priest
Ronnie James Dio – Dio, Rainbow, Heaven & Hell
Messiah – former Candlemass
Geoff Tate – Queensryche
Matt Barlow – Iced Earth
Russell Allen – Symphony X
Ray Alder – Fate’s Warning
Blaze Bayley – Former Iron Maiden
Zachary Stevens – Savatage
Eduardo Falaschi – Angra

*These are all male vocalists since the finalists were male. Of course, most of the female metal vocalists would still make either of those guys cry.

Digging Into Female-Fronted Metal Bands

Tuesday, June 9th, 2009

About six or so years ago, I was driving around in my battered, air-conditioning-less GMC Sonoma. I had the radio tuned to the local rock radio station. A fairly moody piano riff came out of the speakers, followed by a forlorn female voice. Then came big crunchy guitars.

I remember thinking that was pretty cool – a female voice over heavy guitars. There just wasn’t a lot of that going on. What little there was sounded more like Lita Ford. Nothing wrong with that, but I wanted heartier fare than “Kiss Me Deadly.”

That tune turned out to be “Bring Me To Life”, the soon-to-be Evanescence mega-hit. Frankly, the band disappointed me with the rather dull guitar riffs. Amy Lee has a nice voice, but she wasn’t the metal dragon lady I hoped for – more of the moody, put-upon Goth girl who is okay playing the victim. Very one-dimensional, to my ear.

Tuomas & Tarja in better days. (Maija Koivisto)

Tuomas & Tarja in better days. (Maija Koivisto)

I forget who pointed out Nightwish to me. Don’t know ‘em? That’s ’cause they’re from Finland, and American rock radio is awfully parochial. Britain, okay. But I can go a long time without hearing any German (save the Scorpions), Finnish or even Swedish bands. One with a female vocalist? I shouldn’t hold my breath.

Anyway, Nightwish kind of blew me away with its fusion of a classically trained female singer and really dense arrangement, along with a rhythm section that absolutely pounds. Then-singer Tarja Turunen’s voice was a bit too widdly for me, but I liked the willingness to take a chance on something different. And holy cow, widdly style or not, Tarja has a powerhouse of a voice. I appreciated it enough to buy their albums. Shortly after I started listening, a row within the band led to Tarja’s ouster via open letter on the band’s Web site; I won’t get into that.

Minor League Rocker, meet Major League Rocker.

Minor League Rocker, meet Major League Rocker. Photo by Minolta Monet.

Her replacement, a more conventional rock singer named Anette Olzon, really inflamed a lot of the fan base. “Popwish,” many sniffed (despite the sound of Empu Vuorinen’s cranked Mesa amp and Jukka Nevalainen’s  double-bass drumming – yeah, that’s totally Britney Spears). Meanwhile, she was in the studio  recording Dark Passion Play, which would be the best-selling Nightwish album to date. She struggled live with some of the earlier songs on tour, but started to come into her own with many of them – though not all. (My own pet theory? Tarja’s classical stylings gave the early fans intellectual ammo and made them feel special and elite. Shorn of that, they bawled their eyes out into their corsets and lace, taking their anger out on the Anette.)

The music? It’s still pretty awesome. Tuomas Holopainen, the band’s keyboardist and composer, has a cinematic sweep to his writing. I prefer some of the earlier stuff because it relied more on the guitar and less on string arrangements. But the quality and invention is still there. Anette doesn’t have the monster set of pipes, but she’s super-expressive and a bit more creative with her melodies.

Marco and Emppu - two of the cheeriest metal cats ever. (James Van Nguyen)

Marco and Emppu - two of the cheeriest metal cats ever. (James Van Nguyen)

Nu-metal types and those who like modern American metal often call Nightwish “cheesy.” That’s code for “creativity,” “good chops” and “no faux-macho posturing.” I love the combination of beauty and fury – it’s refreshing next to the dour, glum, sour vibe of most American metal.

Speaking of the lack of faux-macho metal posturing, Nightwish has the distinct Euro-metal persona of seeming grateful to be playing every time their onstage. Every time I see a Euro-metal band, each member seems thrilled that I was willing to lay out my money -and my time- to come see them. They all  just have a really warm, friendly live vibe. Nightwish excels at this, largely because of Anette and bassist Marco Hietala. It’s hard to find two more likeable people in metal.

I’m glad this band is around – it makes my CD collection a much better place. They also pointed me toward more European female-fronted metal bands. More on them in a future post!

One awesome band. (not sure who shot this - if it's yours, let me know and I'll credit you!)

One awesome band. (not sure who shot this - if it's yours, let me know and I'll credit you!)

Where it all began

Thursday, May 21st, 2009

This is kind of odd. Until I was about 14 years old, I really didn’t care about music. Nothing really did much for me. I actually made it deep into 7th grade without actually knowing who the hell Bon Jovi was – quite an accomplishment for an 80s kid.

A neighbor changed all that. He was a few years older than me. He decided that I shouldn’t be cast adrift listening to crap. My salvation came in the form of Savage Amusement, an album by The Scorpions.

Now, this currently stands as one of the more maligned Scorpions albums. But

Mathias Jabs, guitarist for the Scorpions. He's cooler than you, and he knows it. (Photo by Photo Agency)

Mathias Jabs, guitarist for the Scorpions. He's cooler than you, and he knows it. (Photo by Photo Agency)

I still love it, and I completely know why it hooked me. First of all, the band’s singer, Klaus Meine, sounds like nobody else. He just has this really mysterious, almost superhuman, quality. Then there was the guitar sound. I wasn’t a guitar aficionado back then. But they just sounded lethal, like chainsaws slathered in rattlesnake venom. Too cool!

That propelled me to take up the guitar. Which also led me to Queensryche. I still love this band, too.  And I love them for more than their individual parts. Geoff Tate isn’t my favorite singer by a long shot. And the guitar sounds? They offend my ears, to be honest.

So why the love? Because the band has two guitarists, and they work hard to differentiate their parts and back them lock together, playing different lines and chord voicings. Brilliant! And they work hard on lyrics and themes, not just sticking to what worked for one album. Also, there’s always been an earnest quality about them that says they love music, and they take it seriously. And their music is always able to evoke some emotion from me. That merits my respect.

Stuff like Iron Maiden, Helloween, Gammy Ray and whatnot followed The Scorps and Queensryche. The Grunge Era was horrible for me, but I’m grateful for much of the new metal coming out of Europe. But that’s a post for another day.

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