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Posts Tagged ‘ESP Mirage’

Eight Months with an ESP Mirage

Sunday, December 19th, 2010
ESP Mirage Hung Dynasty Justin IceHouse Tavern Phoenix

Sigmund the Sea Monster rockin' a local venue. (Photo by Black Susan of Dorks in Space)

You see how I am? I neglect this blog for months, then I give you two posts in one day. I’ll try to find a happy medium.

Anyway, I got myself a fourth guitar. Liberace will shift over to Luminatus duty, and the new guitar will be a co-main guitar for Hung Dynasty.

The new guitar, by the way, is an absolutely awesome mid-90s ESP Mirage with a green swamp-ash body, a Duncan JB bridge pickup and an Original Floyd Rose. It deviates from my preference slightly by having a 12-inch fretboard radius rather than my usual 14-inch radius.

It produces a lot more bass frequencies than my beloved Carvin, but Todd and I still sound quite different from each other. I occasionally move to volume knob with my picking hand, unlike with the Carvin. And I’ll still have tense moments on big changes of real estate on the fretboard because of the very dark fretboard inlays.

But it’s very playable. Terrific neck and fretboard. And the pinch harmonics absolutely scream. Wonderful guitar! It gives the Carvin a very good run for its money. And the ESP is, to me, a beautiful instrument. Very metal, but still pretty classy. We call it Sigmund the Sea Monster, by the way.

The guitar is also a freakin’ tank. One local venue has guitar holders built into the wall of the stage. I had Sigmund hanging on the wall, and something went wrong with the guitar holder. Sigmund fell straight onto the top of my Fryette Deliverance head and then fretboard first on the stage floor. I was pretty panicked over this – but I picked it up, strummed a few notes and discovered that it wasn’t even out of tune and didn’t have a mark on it. The head was fine, too. Talk about passing a torture test!

I honestly don’t have enough guitars

Thursday, January 21st, 2010
My Carvin Bolt Plus is a go-to guitar. I love playing it.

My Carvin Bolt Plus is a go-to guitar. I love playing it.

I currently have four guitars. And it boggles my mind that this is honestly, genuinely not enough to meet my needs. That’s ludicrous. Here’s why they’re just not enough:

Hung Dynasty/Betamaxx - My primary band and its soon-to-be-sprung-on-the-world offshoot tunes to Eb. Playing live without a backup is the acme of foolishness, especially for a hard-hitting, Floyd Rose-using brute like me. So I’ve got my wonderful Carvin Bolt Plus and pretty solid Charvel 375 DLX (known as Liberace because … well, just look at it!) pulling duty for these projects. The Carvin is Number One - the action is beautiful, and the swamp ash body and HAS Sound bridge pickup just destroy all my other guitars from a tone perspective. It’s not even close.

Luminatus – Though our first gig only had four tunes, I expect that to expand. That means my battered Charvel Model 4 (known as Big Red), which is tuned to D, is going to need help. I’ve gotta be honest: I’m cheap, or I would simply have Carvin build me another Floyd-equipped Bolt Plus. At about $1,000, they’re a killer value for a high-quality USA-made guitar. But I’m cheap, so I’m likely to lurk for an old Charvel or Kramer. Some of the Kramers have real Floyd Rose bridges, not the

Big Red (seen here in an early Hung gig) is making a comeback in Luminatus.

Big Red (seen here in an early Hung gig) is making a comeback in Luminatus.

knock-off “licensed” models. That makes a huge difference, and don’t let any sales drone tell you any different.  I would also commit some serious transgressions to get a hold a Michael Wilton-signature LTD, or a 90s-vintage ESP Horizon or Mirage. Yum.

General Use – A koa-topped Ovation acoustic/electric. This is handy for figuring out tunes from bands that are tuned to A440, which is pretty much most of them. It’s also very handy for just getting a different vibe from practice and songwriting. To be honest, practice on the acoustic negatively affects my electric playing: The higher string tension forces me to fret chords and notes harder – that same amount of pressure can actually make chords (especially inverted triads) sound out-of-tune on the electric. I have to be mindful to reduce my fretting pressure.

The truly funny thing? I hate buying guitars. It’s because I always have sneaking suspicion I could’ve gotten something better for less. But that’s just because I’m a jerk. Oh, well.

Liberace is likely to see far more action when Betamaxx is rolling. I'll need its trashy 80s glam flash.

Liberace is likely to see far more action when Betamaxx is rolling. I'll need its trashy 80s glam flash.

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