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Friday, September 03, 2010 18:09

Posts Tagged ‘Helloween’

Ex-Helloween Drummer Goes Back to the Well for Latest Band

Thursday, May 20th, 2010

Magali Luyten of A Beautiful Sin.

Magali Luyten of A Beautiful Sin.

So if you’ve read this blog for awhile, you’ve gotten the idea that I dig female-fronted metal bands. So I was pretty excited when I heard that ex-Helloween drummer Uli Kusch so agreed with me that he scooped a Belgian woman with a huge voice for a project called A Beautiful Sin.

I picked it up about a year ago, and I remember what I thought from the first spin … “Hey, this sounds cool. And more than just a little familiar!” The riffs and melody from “Lost,” the first track from A Beautiful Sin’s album The Unexpected, sent me scuttling to my stack of Helloween albums. Sure enough, I found exactly what I was looking for on the German speed metal band’s The Dark Ride album - a track called The Departed.

Same riffs. Same vocal melody. Same just about everything. And guess who wrote the tune for Helloween? If you guessed Uli, you are correct. He ripped himself off for the title track. I wonder how much this pisses Helloween off. Think I’m exaggerating? Take a listen and see for yourself:

The bottom line is this - Uli is not much of a composer. The keyboards sound flat-out goofy, and he could’ve taken them a better direction as the unquestioned band leader. I also have to blame him for overproducing the hell out of the vocals. The singer for A Beautiful Sin, Magali Luyten, is excellent. More Doro Pesch than Tarja Turunen, and I like it. In fact, if Andi Deris ever gets tired of being in Helloween, I’d vote her in as his replacement in a second. I’d love to hear her rock “Eagle Fly Free!”

I’m not actually sure A Beautiful Sin still exists. I can find more evidence of Magali working with a band called Virus IV.

4 Albums That Got Me Pumped About Metal - Again!

Friday, November 6th, 2009
Joacim and Oskar from Hammerfall, a proper metal band. Photo by Ice Maiden

Joacim and Oskar from Hammerfall, a proper metal band. Photo by Ice Maiden

In a recent post, I gave you the 5 albums that changed the way I rock. As we all know, such music was laid to waste thanks to this one-dimensional, angst-ridden slacker by the name of Click GoBangKurt Cobain. Okay, maybe it wasn’t just him - but he was the standard bearer of this avalanche of suckitude.

As the fallout of metal’s implosion rained sadly upon my landscape, I found little solace. Ozzy’s solo stuff? Blah. Pantera? After Cowboys from Hell, I hated Phil’s “singing”. Limp Bizkit? The less said about them, the better.

So I was one sad Minor League Rocker. Until a few magical albums got dropped on me head. Here they are, again in no particular order.

One Crimson Night (Hammerfall) - I could tell immediately that these guys grew up loving the same music I do. They just added a modern sonic sheen - and some occassionally embarrassing “metal for the pure of heart” lyrics. But hey, they’re Swedish. And their riffs are off-the-charts awesome, so I will forgive an awful lot of lyrical shortcomings. I still favor the lineup that included Magnus Rosen and Stefan Elgren - it pains me to see new guitarist Pontus playing a Les Paul. But you can’t have it all, I guess. I am absolutely thrilled that they are a first-class live band - no, they’re better than that! They look and sound like a metal band should, and they treat their audiences like they’re the only people on the planet.

Better Than Raw (Helloween) - I’d almost forgotten about Helloween. Then I wound up in a record store in about 1998 or so. There, Helloween surfaced with this album like a ballistic missile submarine, and launched a full spread of atomic German speed metal. And each of those musical warheads hit the target! I was flummoxed (remember, in ‘98 I barely used teh Interwebz) by the new lead singer, Andi Deris. But he earned his stripes, and I still love this freakin’ album. I absolutely must see Helloween live someday. Some of the albums they released since then haven’t been great, but I bought them anyway to support a deserving band that stuck it out through the Grunge Times. More than any other mentioned here, this album was here for me during a rough time.

Tarja's last album with Nightwish was a monster.

Tarja's last album with Nightwish was a monster.

Once (Nightwish) - In an earlier post, I told you how I discovered Nightwish. The Once disc continues to fry my mind with the possibilities of music, regardless of genre. What awesome arrangements! The creativity, huge sounds and precision on display humbles me. I’d prefer to see Nightwish get back to a more guitar-driven sound, but there’s no way I’ll ever fail to appreciate this ambitious giant of an album. Tarja was still onboard for this album, so the classical vibe was more pronounced. I love the new singer, too, because she has a warmth Tarja doesn’t. But Tarja has a grandeur and gravitas that I’ve never seen in any other heavy metal singer, regardless of what chromosomes they have.

Burning Down the Opera (Edguy) - So back in 2005, I was really stoked. I was on my way to watch Hammerfall play! I got there early to check out this Edguy band opening for them. I thought it was a lame name - and I still do. But man, they played a smokin’ set that night. They were full of the joy and verve of playing rock music, with all the warmth and enthusiasm as a bunch of dudes playing to a venue full of longtime friends. They would’ve blown any other act off the stage, but Hammerfall could match them. I bought this live album and still consider it their high point. Then, they were still more power metal. Today, they’re more hard rock. I’d like to see them swing more power metal, but I still like their newer stuff alright.

I’ve heard many great albums since then from some very fine bands: Tarot, The Gathering, Gamma Ray, Drain STH plus many of my old favorite bands. But these four really revived my enthusiasm.

5 Albums That Changed the Way I Rock

Monday, October 26th, 2009
Cover art is metal to the max - and so are the tunes.

Cover art is metal to the max - and so are the tunes.

Let me take you back to when I was 14 years old. This is gonna surprise you, but I didn’t really listen to much music. None of it got me excited. I often listened to Top 40 radio while playing computer games, but that was more like background noise.

My hesher of a neighbor at that time took it upon himself to set me on the right track (at least musically). He started me off slowly, ramping up the intensity as I began to immerse myself into his metal culture. Though he led the way, I also began discovering my own stuff. Here are 5 albums that changed the way I rock, in no particular order. Those supplied by The Hesher Neighbor are starred.

Savage Amusement* (Scorpions) - The Hesher and I might be the only people on the planet who actually like this album. Word is the Scorps themselves don’t even like it because of its meticulous over-production. But this was my first exposure, and I loved Klaus’s voice and the HUGE guitar tone. Even today, this album also has a dark, menacing gleam absent in any other Scorpions album.

Keeper of the Seven Keys Part II* (Helloween) - Okay, so riddle me this: Why did Master of Puppets get so much more attention than Keeper Part II? After all, this album is more intense, the playing more mind-boggling, the themes just as apocalyptic (yet often humorous). My theory? Helloween drew heavily from classicial music with wild harmony parts and a singer with crazy vocal range. Metallica drew from more accessible punk. I also think Helloween’s often-absurd lyrics -and farm animal noises- made it hard for them to take as seriously, even after they’d clean house with a blazing dual harmony guitar solo. I will also say that every Helloween riff had a point, where Metallica often got bogged down in riffs for riffs’ sake, just to through something in there. Kind of like The Dave Mustaine Project (aka Megadeth).

Live After Death (Iron Maiden) - My first exposure to Iron Maiden came from a mix tape a dude named Neil made for me. One listen, and I scuttled to the record store for a live album. It was like giving a espresso to an infant, an instant shot of “WTF that rules!” that delighted me. Everybody in the band sounds like they have a piece of Stonehenge its very self tucked away in their stretchy pants. “Aces High” remains an all-time favorite, as do many of the other classics on this stupendously awesome live album. I even love that spot in “Rime of the Ancient Mariner” where Bruce Dickinson sounds more like Al Bundy than himself (”Then, the spell starts t’break!”).

Beast from the East (Dokken) - As a high school junior, a girl named Tracy sat behind me in English class. She decreed that I needed to listen to Dokken, so she dubbed a copy of her live Beast album. And let me tell you, this thing rocked me silly. George Lynch’s guitar tone was monumental, and Don Dokken had a gritty vibe that sounded heavy as hell. I was almost crushed when I got a hold of a studio album - oy vey, so overproduced, shiny and barren. But this … this was awesome stuff. The same songs, but stripped to their essentials and delivered with feeling.

Queensryche's Michael Wilton - He rules, and plays the most awesome ESP on the planet. Photo from Hotsource.com.au.

Queensryche's Michael Wilton - He rules, and plays the most awesome ESP on the planet. Photo from Hotsource.com.au.

Operation Mindcrime* (Queensryche) - Gadzooks! To this day, no album impacts my mood as much as Mindcrime. I’ve removed it from my car, because it makes me want to crash my Subaru into a Hummer, steal a steamroller and go on an anti-authority rampage. The guitar tone is studiously and purposefully annoying (as admitted by the members), but so evocative. The songs interlink quite well. The arrangements are dense. They employ both guitarists to good effect, rather than just having them double each other. I love the way the play different voicings of the same chord, a technique I try to apply in Hung Dynasty songs. I know this list isn’t supposed to have any order, but this might be the #1.

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