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Heavy Metal Literature – Lord of the Rings Not Allowed

Sunday, February 12th, 2012

Tyrion Lannister (played by Peter Dinklage) kicks Frodo - and all his castmates - to the curb. Is he the new heavy metal protagonist? (Image found at www.thestartofallthings.wordpress.com

I’m about to commit heavy metal heresy: I don’t want to hear another metal band naming itself after or singing about stuff from Lord of the Rings. It’s an old, tired, geeky heavy metal cliche. What works of fiction can bands turn to next to show their non-hackneyed literary cred? I have some suggestions broken down by the type of band.

For the Righteous Warriors of Power Metal
The first book in this series by George R.R. Martin, A Game of Thrones, is already a hit HBO series. The five-book (so far) collection is far darker and less cutesy than J.R.R. Tolkien’s work. It’s ripe with characters and places that would make epic heavy metal lyrics, from the The Wall guarded by the Night’s Watch to the mysterious, post-volcanic cataclysm of Valyria. Dragons? Check. Dudes in armor? Check. Scary undead creatures? You betcha. Perfect for heavy metal. Who could do it best? My bet is on Swedish power metal band Hammerfall – they could breathe lyrical life into Tyrion Lannister, Ned Stark and Daenerys Targaryen.

For Lamentations of Lost Love and Broken Families
So far, author Patrick Rothfuss has only finished two books in the Kingkiller Chronicles. You’ve got a flawed protagonist with a terrible past. You have him alternately bent on revenge and hiding to save his own skin. You have fairies, cruel nobles, enemies that seem to have no weakness. Mix in some lost love, and you’ve got a perfect stew for lyrics and music that would conjure memories of Oceanborn-era Nightwish symphonic metal. A female-fronted metal band could run with this mix … though the title of the first book, The Name of the Wind, also invites smirky dudes like me to riff on songs about flatulence.

For the Creepy Crypt Dwellers
There’s no rule that says heavy metal has to be about clashing steel and maidens fair. How ‘bout a lonely kid roaming an English moor searching for the remains of his dead uncle … and instigating a showdown with a serial killer who preys on kids his age? That’s the premise of Belinda Bauer’s outstanding book Blacklands. I describe it as About a Boy meets The Silence of the Lambs. It’s a ready-made recipe for a doom metal band. It requires a creep vibe, and the Dutch band Candlemass and its American singer could deliver.

For Politically Angst-Ridden Thinkers
Dystopian futures are no stranger to heavy metal. And Veronica Roth’s book Divergent could be a vehicle for a Queensrcyhe/Fates Warning/Iced Earth sort of metal band to go off the rails. It’s set in Chicago, where it follows the story arc of a girl named Beatrice. She leaves her family and her grim psuedo-Amish faction to join the society’s unquestioned badasses. There, Beatrice becomes Tris – and a fulcrum for change in the first book of a proposed trilogy. I was a bit chagrined to realize that Roth wrote it for young adults. By the end, I didn’t care.

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Nightwish “Imaginaerum”: 5 Quick Thoughts

Wednesday, February 8th, 2012

Nightwish-Melbourne-2008

Nightwish after a show in Australia.

Even if you’re not a Nightwish fan, their new album, Imaginaerum, might catch your attention at your local music store. This post is for people who don’t know about this Nordic symphonic metal band. Well, here’s what you need to know about Nightwish and Imaginaerum. If you’re already a fan, this post might get you talking and thinking even more about this album.

Bird’s Eye View of the Band

Nightwish is from Finland. You could argue that their symphonic metal paved the way for Evanescence – for better or worse – by pioneering the “big guitar plus clear-voiced female singer” sound. They use a lot of orchestration, with tons of changes in volume and a few meter and tempo switches. The moods also shift quite a bit from song to song.

Singer Situation

Current singer Anette Olzon isn’t the original Nightwish singer. She succeeds Tarja Turunen, who had a classical singing style and a really powerful set of lungs. Turunen is pretty much a symphonic metal archetype. Her ouster from the band in 2005 caused a lot of angst for gothy types, especially when band leader/keyboardist/composer Tuomas Holopainen gave Olzon the gig. Turunen is a physical force that Olzon can’t match – but Olzon is more versatile and emotive. She also appeals to a wider audience (yet another reason some longtime fans are deepening their frown lines). Imaginaerum is the first Nightwish album that Holopainen wrote specifically for Olzon’s range and style.

Surprise, Surprise

Imaginaerum peaked at 27 on the U.S. Billboard chart, eliciting a huge “how the hell did that happen?” from me. I love this band in both incarnations … but symphonic metal is not exactly a sound popular in America. Holopainen calls the album “Hollywood landscape metal.” Some might call it cheesy because of its crazy orchestration and poetic lyrics. To me, though, “cheesy” is often code for “I couldn’t play or compose anything like this in a million years, and I’m jealous.”

How ‘bout Them Guitars?

Nightwish isn’t a riff-oriented band. One of the main criticisms I’ve heard about the album centers on guitarist Emppu Vuorinen … I hear stuff like “generic modern metal riffs.” Here’s the thing: The guitars on Imaginaerum (and indeed on the two albums before it, Once and Dark Passion Play) are more for texture and percussion rather than for main melodies. This is true of many symphonic metal bands. And listen to the extraordinarily tight interplay between Vuorinen and drummer Jukka Nevalainan: There is no room for error, and these guys don’t make any errors. Tight, tight, tight. Yngwie Malmsteen-style scrambling isn’t what Nightwish needs.

In and Out of Genres

Imaginaerum is not just a metal album. Sure, “Ghost River” rocks as hard as a lot of stuff out there. But “Slow, Love, Slow” is a slow, jazzy number that will make longtime Nightwish scratch their heads in consternation … at first. They’ll come to love the awesome melody and note choice – and listening to Jukka gently stroke a snare with jazz brushes. “Turn Loose the Mermaids” sound like something Blackmore’s Night would write, with a Druidic vibe that’ll make you feel like visiting Stonehenge. Oh, and it has a section that sounds like a spaghetti Western. Somehow, it all works. Then there’s “Scaretale”, which sounds like a carnival ride gone wrong. It’s probably also the wildest, most enthusiastic, most intense performance OIzon’s ever concocted. The versatility and changes are unusual, even from a symphonic metal originator.

So, what about you? Any observations I missed? Questions about the band? Let’s hear it!

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Luminatus First Gig a Solid Success

Monday, January 4th, 2010
Holly and me at the first-eve Luminatus gig. Photo by Teri!

Holly and me at the first-eve Luminatus gig. Photo by Teri!

So I got through my first gig with Luminatus unscathed – mentally and physically. We played some Nightwish covers, along with one from The Gathering. I had a few spots where I just got caught in the groove and wound up being a touch slow in the chord changes. Everyone stayed together, even when there were the inevitable little rough spots.

Plow through – that’s always the main thing. Keep the train on the tracks and just get through the rough patch. When it doubt, lock onto the drummer. That’s really who’s in charge of every rock band.

It was actually the first-ever live show for Nicolas, the bassist. There’s nothing quite like that. I think that deserves a post of its own.

But I’m lazy from Hung Dynasty practice, and from putting together the outlines for a lesson in soloing using the pentatonic scale. More on what it’s like to play your first gig later!

New Project for the Minor League Rocker!

Thursday, December 31st, 2009

So, Hung Dynasty is still going strong. But I met some great people, and we decided to take on a side project. The singer, Holly, shares my enthusiasm for female-fronted, symphonic Euro-metal. She’s also in another band. The drummer, Robert, plays for Psychedelic Mooj. Bassist Nicolas is in a band called Midlife Crisis.

Anyway, this project is called Luminatus. It’s a cover band honoring bands like Nightwish and The Gathering – you know, those that don’t get much attention here in the States. Anyway, here’s a video clip of a rehearsal.

We’re playing our first gig together at UB’s in Mesa Jan. 2 at 7:30. That’s at Dobson and Broadway. Should be a really good time!

4 Albums That Got Me Pumped About Metal – Again!

Friday, November 6th, 2009
Joacim and Oskar from Hammerfall, a proper metal band. Photo by Ice Maiden

Joacim and Oskar from Hammerfall, a proper metal band. Photo by Ice Maiden

In a recent post, I gave you the 5 albums that changed the way I rock. As we all know, such music was laid to waste thanks to this one-dimensional, angst-ridden slacker by the name of Click GoBangKurt Cobain. Okay, maybe it wasn’t just him – but he was the standard bearer of this avalanche of suckitude.

As the fallout of metal’s implosion rained sadly upon my landscape, I found little solace. Ozzy’s solo stuff? Blah. Pantera? After Cowboys from Hell, I hated Phil’s “singing”. Limp Bizkit? The less said about them, the better.

So I was one sad Minor League Rocker. Until a few magical albums got dropped on me head. Here they are, again in no particular order.

One Crimson Night (Hammerfall) – I could tell immediately that these guys grew up loving the same music I do. They just added a modern sonic sheen – and some occassionally embarrassing “metal for the pure of heart” lyrics. But hey, they’re Swedish. And their riffs are off-the-charts awesome, so I will forgive an awful lot of lyrical shortcomings. I still favor the lineup that included Magnus Rosen and Stefan Elgren – it pains me to see new guitarist Pontus playing a Les Paul. But you can’t have it all, I guess. I am absolutely thrilled that they are a first-class live band – no, they’re better than that! They look and sound like a metal band should, and they treat their audiences like they’re the only people on the planet.

Better Than Raw (Helloween) – I’d almost forgotten about Helloween. Then I wound up in a record store in about 1998 or so. There, Helloween surfaced with this album like a ballistic missile submarine, and launched a full spread of atomic German speed metal. And each of those musical warheads hit the target! I was flummoxed (remember, in ’98 I barely used teh Interwebz) by the new lead singer, Andi Deris. But he earned his stripes, and I still love this freakin’ album. I absolutely must see Helloween live someday. Some of the albums they released since then haven’t been great, but I bought them anyway to support a deserving band that stuck it out through the Grunge Times. More than any other mentioned here, this album was here for me during a rough time.

Tarja's last album with Nightwish was a monster.

Tarja's last album with Nightwish was a monster.

Once (Nightwish) - In an earlier post, I told you how I discovered Nightwish. The Once disc continues to fry my mind with the possibilities of music, regardless of genre. What awesome arrangements! The creativity, huge sounds and precision on display humbles me. I’d prefer to see Nightwish get back to a more guitar-driven sound, but there’s no way I’ll ever fail to appreciate this ambitious giant of an album. Tarja was still onboard for this album, so the classical vibe was more pronounced. I love the new singer, too, because she has a warmth Tarja doesn’t. But Tarja has a grandeur and gravitas that I’ve never seen in any other heavy metal singer, regardless of what chromosomes they have.

Burning Down the Opera (Edguy) – So back in 2005, I was really stoked. I was on my way to watch Hammerfall play! I got there early to check out this Edguy band opening for them. I thought it was a lame name – and I still do. But man, they played a smokin’ set that night. They were full of the joy and verve of playing rock music, with all the warmth and enthusiasm as a bunch of dudes playing to a venue full of longtime friends. They would’ve blown any other act off the stage, but Hammerfall could match them. I bought this live album and still consider it their high point. Then, they were still more power metal. Today, they’re more hard rock. I’d like to see them swing more power metal, but I still like their newer stuff alright.

I’ve heard many great albums since then from some very fine bands: Tarot, The Gathering, Gamma Ray, Drain STH plus many of my old favorite bands. But these four really revived my enthusiasm.

5 Awesome Things About Being in a Rock Band

Monday, September 28th, 2009
Me playing a gig at the Marquee - huge sound! Notice the short hair?

Me playing a gig at the Marquee - huge sound! Notice the short hair?

When you’re in a rock band, you actually have a lot to complain about: Shady promoters, terrible set times, broken gear, schlepping gear, and so on.

But let me tell you, certain things make all the crappy stuff really worth the effort. Here are my top 5:

5. Your first gig being mic’d: At some venues, you just put your gear on stage and they let you rip. In better venues with quality sound systems, they’ll usually mic each amp and some of the drums individually and run it all through the PA for a better mix. Let me tell you, our first mic’d gig at The Last Exit was something I’ll never forget. Phung was back there on the drums, and the engineer said “kick drum, please.” Phung gave a nice steady thump, and you could hear the volume and resonance increase as the engineer turned his channel up. It was awesome, and it repeated for all the instruments. It is sooooo cool!

4. An awesome compliment: There’s nothing quite as good for the morale as sincere compliments from the audience. I think my favorite was when someone yelled out “Ya’ll are a bad buncha motherf*ckers!”

3. Picking on the drummer. And the singer. And the bassist. ‘Nuff said.

2. Having someone recognize you in public: A few times, I’ve had people say “Hey, you’re from Hung Dynasty,
right?” I even saw a Hung Dynasty sticker on a car, and I didn’t know who was driving it. Extra-awesome for a local band.

1. Playing on the same stage as your favorite band: Now this is simply stupendous beyond comprehension. I saw Hammerfall at the Marquee Theater. Then, I got to play there. It is a huge rush to hear your rig mic’d up at pro touring band volume. Next time I was there, I was watching Nightwish and thinking “hey, I’ve been on that stage!” In the grand scheme, it’s a pretty small thing. But when you’re a Minor League Rocker, you take the victories where you can. And this one? It was one to savor.

So, if you’re in a band, I’d love to hear your Top 5. Whatcha got?

Digging Into Female-Fronted Metal Bands

Tuesday, June 9th, 2009

About six or so years ago, I was driving around in my battered, air-conditioning-less GMC Sonoma. I had the radio tuned to the local rock radio station. A fairly moody piano riff came out of the speakers, followed by a forlorn female voice. Then came big crunchy guitars.

I remember thinking that was pretty cool – a female voice over heavy guitars. There just wasn’t a lot of that going on. What little there was sounded more like Lita Ford. Nothing wrong with that, but I wanted heartier fare than “Kiss Me Deadly.”

That tune turned out to be “Bring Me To Life”, the soon-to-be Evanescence mega-hit. Frankly, the band disappointed me with the rather dull guitar riffs. Amy Lee has a nice voice, but she wasn’t the metal dragon lady I hoped for – more of the moody, put-upon Goth girl who is okay playing the victim. Very one-dimensional, to my ear.

Tuomas & Tarja in better days. (Maija Koivisto)

Tuomas & Tarja in better days. (Maija Koivisto)

I forget who pointed out Nightwish to me. Don’t know ‘em? That’s ’cause they’re from Finland, and American rock radio is awfully parochial. Britain, okay. But I can go a long time without hearing any German (save the Scorpions), Finnish or even Swedish bands. One with a female vocalist? I shouldn’t hold my breath.

Anyway, Nightwish kind of blew me away with its fusion of a classically trained female singer and really dense arrangement, along with a rhythm section that absolutely pounds. Then-singer Tarja Turunen’s voice was a bit too widdly for me, but I liked the willingness to take a chance on something different. And holy cow, widdly style or not, Tarja has a powerhouse of a voice. I appreciated it enough to buy their albums. Shortly after I started listening, a row within the band led to Tarja’s ouster via open letter on the band’s Web site; I won’t get into that.

Minor League Rocker, meet Major League Rocker.

Minor League Rocker, meet Major League Rocker. Photo by Minolta Monet.

Her replacement, a more conventional rock singer named Anette Olzon, really inflamed a lot of the fan base. “Popwish,” many sniffed (despite the sound of Empu Vuorinen’s cranked Mesa amp and Jukka Nevalainen’s  double-bass drumming – yeah, that’s totally Britney Spears). Meanwhile, she was in the studio  recording Dark Passion Play, which would be the best-selling Nightwish album to date. She struggled live with some of the earlier songs on tour, but started to come into her own with many of them – though not all. (My own pet theory? Tarja’s classical stylings gave the early fans intellectual ammo and made them feel special and elite. Shorn of that, they bawled their eyes out into their corsets and lace, taking their anger out on the Anette.)

The music? It’s still pretty awesome. Tuomas Holopainen, the band’s keyboardist and composer, has a cinematic sweep to his writing. I prefer some of the earlier stuff because it relied more on the guitar and less on string arrangements. But the quality and invention is still there. Anette doesn’t have the monster set of pipes, but she’s super-expressive and a bit more creative with her melodies.

Marco and Emppu - two of the cheeriest metal cats ever. (James Van Nguyen)

Marco and Emppu - two of the cheeriest metal cats ever. (James Van Nguyen)

Nu-metal types and those who like modern American metal often call Nightwish “cheesy.” That’s code for “creativity,” “good chops” and “no faux-macho posturing.” I love the combination of beauty and fury – it’s refreshing next to the dour, glum, sour vibe of most American metal.

Speaking of the lack of faux-macho metal posturing, Nightwish has the distinct Euro-metal persona of seeming grateful to be playing every time their onstage. Every time I see a Euro-metal band, each member seems thrilled that I was willing to lay out my money -and my time- to come see them. They all  just have a really warm, friendly live vibe. Nightwish excels at this, largely because of Anette and bassist Marco Hietala. It’s hard to find two more likeable people in metal.

I’m glad this band is around – it makes my CD collection a much better place. They also pointed me toward more European female-fronted metal bands. More on them in a future post!

One awesome band. (not sure who shot this - if it's yours, let me know and I'll credit you!)

One awesome band. (not sure who shot this - if it's yours, let me know and I'll credit you!)

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